I help music artists craft unique mixes that resonate with their listeners

From stereo to Dolby Atmos, I can handle every single step of the process so you get a unique and competitive mix for your music.

I help music artists achieve unique mixes that resonate with their listeners

From stereo to Dolby Atmos, from Grammy-winners to up-and-coming, I help artists deliver unique and competitive mixes that help them succeed.

Who I've work with

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Who I've work with

Here’s What I Can Do For You

Stereo Mixing

Whether you have raw recordings or have close to being finished productions I can help you fully realise your artistic vision with mixes that sound authentic, polished, translate everywhere and move your listeners.

Stereo Mastering

I can squeeze the last 10% your mixes need and give you the peace of mind that your music is going to translate perfectly and be at a competitive level to ensure it cuts through the noise

Dolby Atmos Mixing

As one of the experts in this format, I can help you increase the impact of your music and future-proof it with immersive mixes that translate from headphones to cinemas.

Atmos Mastering

As one of the experts in this format, I can help your mixes translate perfectly from headphones to cinemas and ensure they meet all the extensive technical requirements needed for a successful release.

Selected credits
Mixing, Mastering | Stereo, Atmos

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I believe the best way to connect with your listeners is by showing them who you are.

Hi, my name is Sebastian. I’m a Colombian, award-winning, diamond-certified mixing engineer specialising in stereo and Dolby Atmos.

Having worked with artists such as Shaboozey, Feid, Oxlade, Jacob Collier, Tony Succar, and The Teskey Brothers. I understand how crucial the mixing process is for translating your artistic vision and creating a connection that moves your listeners.

I’m a product of many influences, growing up with Latin and tropical music at home, discovering rock and Latin American alternative through friends, and later studying classical music while diving into pop, R&B, and hip hop production.

In 2015, I moved to Vienna, then Berlin in 2017, where I began working with artists across genres while mixing music for major TV and streaming series in Germany.

After that, I focused primarily on mixing, channeling all my influences to serve artists who want to break the mold and create something truly authentic.

I’m also deeply passionate about immersive audio and the creative possibilities it unlocks for music makers.

In 2018, I began experimenting with Dolby Atmos, and in 2020 built one of the first Dolby Atmos-certified studios for music in Germany (and in the world really). When Apple announced Atmos support on Apple Music in 2021, I was more than ready.

With over a decade of experience across a wide range of genres, working with Grammy-winning artists and emerging artists, I’ve developed a deep understanding of how to highlight what makes each song unique and ensure the message comes through loud and clear. 

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Frequently Asked Questions (FAQs)

Q. What's the typical timeline for a single?

It depends on the track and the scope (stereo vs. Atmos, stems, complexity) and my schedule, but I’ll always give you a clear turnaround timeline before we start. A typical stereo mix turnaround time is 2–4 business days. Rush options are available for an extra fee if you’re on a tight schedule.

Q. How do you handle revisions?

3 rounds of revisions are included in the price. We can also do an online session so we can speed up the process and finesse the revision in real time.

Q. How do I know you’ll understand my sound?

My process starts with listening to your music and your vision. I ask for references, roughs, and notes upfront so I can get inside the world you’re creating. I’ll work with you to make sure your sound feels like you.

Q. What’s Dolby Atmos going to do for my song?

Dolby Atmos can bring a new level of depth,  immersion, and emotional impact to your music, regardless of the genre or instrumentation. It’s also being prioritized by major DSPs like Apple Music and Amazon in the form of access to playlists and higher payouts. If you want your song to stand out on spatial audio playlists, keep up with the industry standards,  or give your fans a more cinematic experience, Atmos is a must.

Another really important thing to consider is that Dolby Atmos (Spatial Audio) is turned on by default in Apple Music. This means listeners will hear your song in Dolby Atmos unless they manually change their settings.

If no native Atmos mix is available, Apple Music often plays a “spatialized” version of your stereo mix, and that usually sounds bad.

The only way to stay in control and guarantee that listeners hear your song the way you intended is to have a proper Dolby Atmos mix alongside your stereo version.

Are You Ready to Get Started?

I am committed to delivering the highest quality mixes with no compromises

Company

Boring Stuff

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