Who I've work with
Who I've work with
I’m also deeply passionate about immersive audio and the creative possibilities it unlocks for music makers.
In 2018, I began experimenting with Dolby Atmos and in 2020 built one of the first Dolby Atmos-certified studios for music in Germany—and globally. When Apple announced Atmos support on Apple Music in 2021, I was more than ready.
With over a decade of experience across a wide range of genres—working with Grammy-winning artists and emerging artists—I’ve developed a deep understanding of how to highlight what makes each song unique and ensure the message comes through loud and clear.
It depends on the track and the scope (stereo vs. Atmos, stems, complexity) and my schedule, but I’ll always give you a clear turnaround timeline before we start. A typical stereo mix turn around time is 2–4 business days. Rush options are available if you’re on a tight schedule.
I live mostly in the pop world, but that includes everything from alt-pop and Latin to R&B, singer-songwriter, and indie crossovers. Listen to my portfolio and send me a link to your music in the contact form, and I’ll let you know if we are a good fit. If I don’t think I can help you I’ll tell you so.
3 rounds of revisions are included in the price. We can also do an online session so we can speed up the process and finesse the revision in real time.
My process starts with listening — to your music and your vision. I ask for references, roughs, and notes upfront so I can get inside the world you’re creating. I’ll work with you to make sure your sound feels like you.
Dolby Atmos can bring a new level of depth, immersion, and emotional impact to your music, regardless of the genre or instrumentation. It’s also being prioritized by major DSPs like Apple Music and Amazon in the form of access to playlists, and higher payouts. If you want your song to stand out on spatial audio playlists, keep up to the industry standards, or give your fans a more cinematic experience, Atmos is a must.